“Every totalitarian government on the planet has always taken a very great interest in women’s reproductive rights,” says Margaret Atwood: a disquieting insight at any time, but particularly in today’s portentous political landscape. Just as it did when it was first published, the story of The Handmaid’s Tale—a future where women are treated as property of the state, run by an authoritarian regime—is unearthing chilling patterns to an uneasy public. The book’s long-awaited sequel The Testaments performed so well it broke the record for best first-day sales of any Penguin Random House title that year.

“With dry, ironic wit, a poetic sensibility and more than a hint of the Gothic, she has uncompromisingly observed the psychology of people in her society.” The New York Times

With her work already producing two blockbuster television adaptations—first The Handmaid’s Tale, then Alias Grace—Atwood’s vision is reaching a wider audience than ever before. To date, The Handmaid’s Tale has received 15 awards, including Best Drama, and Atwood herself received a standing ovation at the show. Meanwhile, Atwood’s Giller-winning, Booker-shortlisted murder mystery Alias Grace was adapted into a Netflix original miniseries, which was notably written, produced, and directed by women.

Her most recent memoir, Book of Lives, unfolds the story of her life: from her nomadic childhood in the forests of northern Quebec to the seminal moments that sparked the books that have shaped our literary landscape. Along the way, with her signature wit and storytelling skill, she introduces us to a larger-than-life cast of characters and offers a peek into the workings of one of our generation’s greatest imaginations.

In her latest short story collection, Old Babes in the Wood, she explores the depth of human experience with her signature wit and insight: touching on mother-daughter relationships, the afterlife, what it looks like to grow old together, and much more. NPR says, “Old Babes in the Wood is touching, smart, funny, and unique in equal measure. A dazzling mixture of stories that explore what it means to be human while also showcasing Atwood’s gifted imagination and great sense of humor.”

But before Atwood was a novelist, and before her work became the subject of award-winning TV, she was a poet. She’s released her first poetry collection in over a decade: Dearly. By turns “moving, playful, and wise,” the poems gathered in Dearly explore bodies and minds in transition, while observing the objects and rituals that ground us in the present moment. The Washington Post calls it “hauntingly beautiful, with reflections on life and death, time and chance, and nature and zombies.”

Atwood is the author of more than fifty volumes of poetry, children’s literature, fiction, and non-fiction. To date, Atwood’s body of work has been published in more than 40 languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. She has also won many international literary awards, including the prestigious Booker Prize, Arthur C. Clarke Award, Governor General’s Award, the PEN Pinter Prize, the Ivan Sandrof Lifetime Achievement Award from the National Book Critics Circle, and a Guggenheim Fellowship. She was presented with the Companion of Honor award—given for achievements in the arts, literature, science, and politics—by Queen Elizabeth, making Atwood the third Canadian to receive the honor. Atwood is a founder of the Writers’ Trust of Canada and a founding trustee of the Griffin Poetry Prize. She is also a popular personality on Twitter, with over two million followers.